拍卖信息

藏品描述

明天顺（空白期）青花刀马人物罐，是明代 “空白期”（正统、景泰、天顺时期）青花瓷器的典型代表之一。从造型上看，罐体丰肩鼓腹，下部渐收，整体端庄稳重，符合当时罐类器物的常见形制，既具实用性，又有较好的视觉审美效果。装饰方面，青花发色虽不如永乐、宣德时期那般浓艳鲜亮，但也呈现出独特的韵味，青料晕染自然。罐身以刀马人物为主题纹饰，描绘了古代战争或出行等场景，人物形象生动，姿态各异，身旁配有马匹、兵器等元素，周围辅以树木、山石等衬景，构图层次丰富，线条流畅，展现出当时画工的技艺水准。"Blue-and-White Jar with 'Daoma' (Warrior-on-Horseback) Figures of the Tianshun Reign (Blank Period), Ming Dynasty, is one of the typical representatives of blue-and-white porcelain from the Ming Dynasty’s 'Blank Period' (encompassing the Zhengtong, Jingtai, and Tianshun reigns).In terms of shape, the jar has a full shoulder, a bulging belly, and a tapering lower part. Its overall form is dignified and stable, conforming to the common structure of jar - shaped artifacts of that era, which not only ensures practicality but also achieves a pleasing visual aesthetic effect. In terms of decoration, although the blue color of the underglaze blue is not as intense and bright as that of the Yongle and Xuande reigns, it still exhibits a unique charm with natural smudges of the cobalt pigment. The main decorative pattern on the jar body is the 'Daoma' figures, depicting scenes such as ancient wars or journeys. The human figures are vivid with various postures, accompanied by elements like horses and weapons beside them. The surrounding area is supplemented with background elements such as trees and rocks, resulting in a composition with rich layers and smooth lines, which showcases the artistic skills of the painters at that time."